ericlee
03-13-2009, 02:34 AM
Hell yeah. New studio album will be released fall this year.
What the iconic new wave, art punk pioneers cautioned us about almost 30 years ago is no longer a humorous theory. It's pretty much fact--we now live in a devolved world that's getting wackier each and every day.
The fall of 2009 will bring a new DEVO studio album, their first one since 1990's Smooth Noodle Maps . It'll mark their first new music since the strong fan reaction that greeted the 2007 single “Watch Us Work It,” their first new song in 18 years and one that was produced by Sweden's TeddyBears (Robyn). They're now in the studio putting the finishing touches on their new album (title TBA).
The five-piece-- featuring co-founders and songwriters MARK MOTHERSBAUGH (lead vocals, synthesizer innovations) and GERALD CASALE (lead vocal, bass) and rounded out by BOB CASALE (guitarist), BOB MOTHERSBAUGH (guitars/vocals) and JOSH FREESE (drums)-- are set make a special U.S. appearance at SXSW this year including a press conference (4:00pm) and keynote panel (5:00pm)--moderated by radio veteran Nic Harcourt--set for Thursday, March 19 at the Austin Convention Center (500 East Cesar Chavez St.). They'll follow that up with a Friday, March 20 one-night-only SXSW concert at the Austin Music Hall (208 Nueces St.). Pre SXSW, DEVO fans in Dallas can catch a special one-off show on Wednesday, March 18 at the Palladium Ballroom. To purchase tickets, go here: http://www.ticketmaster.com/event/0C004251D5078964?brand=aeglive .
In May, DEVO will head to the United Kingdom for a series of dates. On Wednesday, May 6, DEVO will perform their debut album, the seminal Q: Are We Not Men, We Are Devo ! in its entirety from beginning to end at London's Kentish Town Forum. Released in 1978, the seminal album produced by Brian Eno and recorded in Germany features such notable tracks such as the band's cover of The Rolling Stones' “(I Can't Get No) Satisfaction,” “Mongoloid” and “Jocko Homo.” Next up on Friday, May 8, they'll headline the All Tomorrow's Parties festival in Somerset at the Butlins Holiday Centre.
Formed in 1972 in Akron, OH, DEVO--short for “de-evolution”--began as an art project cautioning that humans were devolving and regressing into a herd mentality of American society, not evolving. A conceptual band from the beginning, DEVO were ahead of their time, incorporating elaborate aesthetics into their live shows and seamlessly combining their music with visuals years before MTV or any music-video culture existed. Indeed, the group's first appearance at Kent State University in 1973 was recorded with a black and white portable video system. Societal satirists, DEVO's lyrical mix of comedy and quirky wit, warned of the dangers of rampant capitalism in “Whip It” and “Freedom of Choice ”, and the devolution of society in “Jocko Homo” and ”Beautiful World.“ Onstage in their early incarnation, the group began with a mixture of synthesizers and rock instruments; as they developed in the late seventies and early eighties, DEVO became one of the first American acts to perform using only synthesizers. DEVO have now returned with an evolved look, ready to impact the vastly devolved world we now find ourselves trying to navigate.
http://clubdevo.com/mp/news_pgs/albumnews_2009.html
What the iconic new wave, art punk pioneers cautioned us about almost 30 years ago is no longer a humorous theory. It's pretty much fact--we now live in a devolved world that's getting wackier each and every day.
The fall of 2009 will bring a new DEVO studio album, their first one since 1990's Smooth Noodle Maps . It'll mark their first new music since the strong fan reaction that greeted the 2007 single “Watch Us Work It,” their first new song in 18 years and one that was produced by Sweden's TeddyBears (Robyn). They're now in the studio putting the finishing touches on their new album (title TBA).
The five-piece-- featuring co-founders and songwriters MARK MOTHERSBAUGH (lead vocals, synthesizer innovations) and GERALD CASALE (lead vocal, bass) and rounded out by BOB CASALE (guitarist), BOB MOTHERSBAUGH (guitars/vocals) and JOSH FREESE (drums)-- are set make a special U.S. appearance at SXSW this year including a press conference (4:00pm) and keynote panel (5:00pm)--moderated by radio veteran Nic Harcourt--set for Thursday, March 19 at the Austin Convention Center (500 East Cesar Chavez St.). They'll follow that up with a Friday, March 20 one-night-only SXSW concert at the Austin Music Hall (208 Nueces St.). Pre SXSW, DEVO fans in Dallas can catch a special one-off show on Wednesday, March 18 at the Palladium Ballroom. To purchase tickets, go here: http://www.ticketmaster.com/event/0C004251D5078964?brand=aeglive .
In May, DEVO will head to the United Kingdom for a series of dates. On Wednesday, May 6, DEVO will perform their debut album, the seminal Q: Are We Not Men, We Are Devo ! in its entirety from beginning to end at London's Kentish Town Forum. Released in 1978, the seminal album produced by Brian Eno and recorded in Germany features such notable tracks such as the band's cover of The Rolling Stones' “(I Can't Get No) Satisfaction,” “Mongoloid” and “Jocko Homo.” Next up on Friday, May 8, they'll headline the All Tomorrow's Parties festival in Somerset at the Butlins Holiday Centre.
Formed in 1972 in Akron, OH, DEVO--short for “de-evolution”--began as an art project cautioning that humans were devolving and regressing into a herd mentality of American society, not evolving. A conceptual band from the beginning, DEVO were ahead of their time, incorporating elaborate aesthetics into their live shows and seamlessly combining their music with visuals years before MTV or any music-video culture existed. Indeed, the group's first appearance at Kent State University in 1973 was recorded with a black and white portable video system. Societal satirists, DEVO's lyrical mix of comedy and quirky wit, warned of the dangers of rampant capitalism in “Whip It” and “Freedom of Choice ”, and the devolution of society in “Jocko Homo” and ”Beautiful World.“ Onstage in their early incarnation, the group began with a mixture of synthesizers and rock instruments; as they developed in the late seventies and early eighties, DEVO became one of the first American acts to perform using only synthesizers. DEVO have now returned with an evolved look, ready to impact the vastly devolved world we now find ourselves trying to navigate.
http://clubdevo.com/mp/news_pgs/albumnews_2009.html