Beasties speak hot sauce in DIS

[camo]

check it Y'all (http://drownedinsound.com/in_depth/4137232-boys-will-be-boys--beastie-boys-talk-hot-sauce-committee-pt-1)


Bob Dylan is in HSC pt II. Food for thought.

[acamus]

nice find, camo!

[camo]

thankyou...it came up on facebook funnily enough.

[jennyb]

"mp3s could just rain from the sky" (y)

[acamus]

thankyou...it came up on facebook funnily enough.

on Facebook? how? through what source?

[tjpop]

alot of good shit in there. first real interview for this era! thanks~

[laurie_hammy]

That was a dam good read. Part 2 is on the way too, well its done, just a matter of when released, crazy.

[laurie_hammy]

DiS: Is the track’s titular sentiment related to there being too many rappers in New York?

Ad-Rock: It’s a worldwide issue.

MCA: Particularly at sea.

[Brother McDuff]

wow, super exceptional interview. some solid info and some expected playfulness.

the real treat was the song by song break down of the album. very revealing and holy shit does it sound right on par!


Now I'm like really really really hurtin' to hear this motherfucker. this really could be it, a full-on return to form!


note: the explanation of BBITC offers a sort of possibility that the real beat may be more than what we've heard.

[Kid Presentable]

note: the explanation of BBITC offers a sort of possibility that the real beat may be more than what we've heard.

How?

[camo]

on Facebook? how? through what source?

It was an advert that popped up on the side of the window. Random innit?

[Kid Presentable]

Nice work camo. You should start a blog. (y)

[camo]

Nice work camo. You should start a blog. (y)

Will do. Any naming suggestions?

'Two mics' ?

[Kid Presentable]

'Kidnapper'

[camo]

ha ha, what?

[Kid Presentable]

Kidnapper is dedicated to an ever present creepiness in the name of ruining the fun for everybody else. No need to thank us.

[camo]

Haha, do I sense some animosity to a certain BB related blog here?

[ham and cheese]

Yauch mentioned Dylan featuring on the new album in the CYH commentary, nobody remember that??? Call yourselves fans... :rolleyes:

[Laver1969]

Nice work Camo!

The tracklisting descriptions don't really do anything for me. Describing music is pretty subjective and tough to nail down specifics. But I'll take it and be happy.

[Kid Presentable]

A squelching bassline is accentuted by toilet seat lowering snares with electric flizzleblargs and unffunffunff to create an auditory treacle that will shear the pubic hair from your brain. And the lyrics are about dessert, too.

[paul jones]

let's hear it for the crabs

[gbsuey]

i was actually just thinking the descriptions were ok-usually they may as well read blah blah yadda blah etc etc etc, it all goes fuzzy and i drift but i read all the words and they kinda stuck. forgotten most of it now mind. is a bit of a wind-up though, there's still ages to wait:(

[camo]

Yauch mentioned Dylan featuring on the new album in the CYH commentary, nobody remember that??? Call yourselves fans... :rolleyes:

yeah but they never went into any detail. Now they do (y)

[Brother McDuff]

How?


...muddy treatment as pitch-shifting vocals dip between layers of fuzziness...

unless dude is just referring to that one point at the end of mike's verse where his voice slows down into the outro.

plus, i dont believe anything there can be mistaken for "layers of fuzziness".

i dunno. just makin an observation.:o

[Kid Presentable]

...muddy treatment as pitch-shifting vocals dip between layers of fuzziness...

unless dude is just referring to that one point at the end of mike's verse where his voice slows down into the outro.

plus, i dont believe anything there can be mistaken for "layers of fuzziness".

i dunno. just makin an observation.:o

The lyrics are fuzzy.

[Brother McDuff]

The lyrics are fuzzy.

touche.

[fonky pizza]

MCA [deadpanning]: Why don’t we all get up, walk out, walk into the room again and start again...

Now that's some Time travelers' knowledge!

[DJ_Skrilla]

Nearly a quarter of a century since their debut album Licensed To Ill hit the shelves, the Beastie Boys' creative juices show no sign of drying up.

Prior to talking to them about the album and a good deal more, DiS sat down with an EMI iPod to give Hot Sauce Committee Part 1 an aural going over and made some notes to give you an idea what to expect.


1. Tadlock’s Glasses

The joking original mooted title of the album, Ad-Rock, Mike D and MCA get rolling with a curious nod to the driver of Elvis’s back-up singers. Distorted electronic squiggles dominate a slightly warped atmosphere that reprises yells of “And you don’t stop...” like ‘Sure Shot’ was recorded 15 years later on a stack of good drugs. Promising start...

2. B-Boys In The Cut

Banging bass and the throwback feel of To The 5 Boroughs are tempered by what appears to be the gruff tones of MCA, lyrics buried beneath an oddly satisfying muddy treatment as pitch-shifting vocals dip between layers of fuzziness. Ch-check it out.

3. Make Some Noise

Our EMI iPod (presented only after a high security full-body metal detector search for potential recording devices) reads ‘Make Some Noise If You’re With Me’, but whatever the title this is a definite future crowd hyper, almost Daft Punk-esque bass-line overlaid with thwacking dusty drums.

4. Nonstop Disco Powerpack

Lyricism more entangled than vines in a rainforest, a funky break and whistles rattle around as the mic is passed with a frequency. And unless there’s some serious yoghurting occurring on DiS’s part, Ad-Rock also appears to make the album’s strangest statement, proclaiming “See one last profiterole and make my play”. Finger-licking good.

5. OK

A playful vaguely squelchy electro intro is the signal for the Boys to rewind the clock, rhyming as if they were 20 years old again. Throw a vocoder breakdown into the mix, you say? Sure, why not...

6. Too Many Rappers (featuring Nas)

The indisputable high point of the record, thumping percussion accompanies the central sentiment: “Too many rappers/Not enough emcees”, although the ever-goofy threesome claim we misheard chat about “crack rappers”; the line in question is, they assure us, directed at “crab rappers”. There’s no disputing the proudly spat declaration “Grandpa been rapping since 1983”, though, and when Nas swaggers in with a seamless, highly conscious verse, Mix Master Mike might begin to look over his shoulder nervously as his fourth Beastie Boy mantle comes under threat. The most straight up hip-hop tune in recent BB history and all the better for it.

7. Say It

A menacing bass-line and more subtly overdriven mic effects give that in-the-booth feel, yet to the point where picking out individual lines beneath the hulking whole is tricky. Ends with a circus music-style mini-skit.

8. The Bill Harper Collection

The album’s first proper skit, purportedly an in-joke concerning the group’s business manager’s record collection. “Hi Adam, it’s Bill. Thanks” is the solitary vocal sample in 23 seconds of silliness. Dude sounds like a riot. To the extent we suspect he may own Creedence Clearwater Revival records.

9. Don’t Play No Game That I Can’t Win (featuring Santigold)

The reggae-tinged backdrop, faintly whiffing of an off-cut from former Beasties collaborator Lee ‘Scratch’ Perry, betrays that Santigold very much takes the lead here. Sadly, there’s little chemistry, the ideas seemingly evaporate about midway through and the whole debacle is closer to Santigold featuring the Beastie Boys. Disappointing. Still, MCA, we think, restores a little cred, complaining about “clams with no tartar sauce”. Cream cakes and clams = ghetto, we think you’ll agree.

10. Long Burn The Fire

Ad-Rock is in combative mood here, boldly offering “I check my rear view/Emcees ain’t getting closer”, while a superhero-ish element imagines biting through haters with sharks teeth, clawing them with tiger’s claws and shooting poison out of their eyes. Rage Against The Machine-worthy bottom end and rampant organ seal the deal.

11. Bundt Cake

Another skit, this time a mere 21 seconds over a crisp drum break with snatches of cyber vocals.

12. Funky Donkey

“Put this on a zip disc/Send it to your lawyer” is an opening threat that doesn’t go unnoticed. The rhymes are almost throwaway over a beat that could almost sample Adamski, if only we knew the Beasties would never rewire something so simple to decipher.

13. Lee Majors Come Again

Already out there in the scary wide world as a sly snippet giveaway with select copies of the recent Check Your Head re-issue (ditto an a cappella of ‘B-Boys In The Cut’, fact fans), this is a hardcore punk days nod with meaty guitar chug. Ad-Rock, it seems, declares “I seen your grandpa in apple bottom jeans” and successfully manages to make it a dis, an achievement in itself, frankly...

14. Multilateral Nuclear Disarmament

For such politically active musicians it always seems frustrating that the Beastie Boys have rarely strayed into global social issues on record; nothing really changes here, beyond the title, although the vocals are once again a touch buried to be sure, something close to liquid g-funk and disconnected phased-up beats three-quarters of the way to an Usher hit obliterated by robot voice effects of prime ‘Intergalactic’ intent. This is either Kraftwerk scored by Dr Dre or our headphones are a bit shonky.

15. Pop Your Balloon

Continuing the pop-brushed theme, a quite dramatic sweeping intro doesn’t, as it really easily could, push into a Britney Spears moan-fest, instead pivoting off an insistent break and plenty of nasal Ad-Rock delivery.

16. Crazy Ass Shit

More food talk! This time “smoked salmon”. Damn, we’re hungry now. A sampled child’s voice is the key to the not-so-safe-for-kids ‘Crazy Ass Shit’ though, “You can’t stop/You’ve got to keep on” becoming a youthful mantra.

17. Here’s A Little Something For Ya

Initial bass burps raise eyebrows – are the Beasties about to follow Snoop Dogg into dipping tentative toes into dubstep? Once that opening has passed, however, it’s more familiar ground: playful rhymes, a terrace refrain, an organ breakdown, followed by what appears to be an untitled secret outro, proudly shouting out New York City with hands on hearts.



Hot Sauce Committee Pt. 1 is set for release on September 15th 2009 (and we hear the second part should follow shortly after as it is already mostly recorded too).

[TAL]

^
There's a whole thread about that
http://www.beastieboys.com/bbs/showthread.php?t=91752

[laurie_hammy]

Part 2 in 2009 yall think ? I doubt it, but it'd be nice.