Re: I work with a Vulkan
So I have a 12 pages of a script so far about a young woman who is inquisitive about the silent and slightly male coworker at the end of the hall. Does her curiousity get the best of her?
I've already thought about the woman looking at his car in the parking lot and trying to be sneaky only to have a dog suddenly startle her and the audience as it barks at our heroine. Is the dark barking in warning or asking to be saved?
The chilling water cooler that is noisey near his office. The green stuff growing on the fountain spout warning you not to drink from it, as if warning her not to open his door. She knows its dangerous, yet she does anyway.
Still trying to figure out what she finds in his lab coat.
Its a slow day at work.
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...is watching the live feed, waiting for the first Chilean miner to reach the surface, wild-eyed and consumed by bloodthirst, as the rescue team unknowingly brings the zombie virus- and it's first 34 carriers- to an unsuspecting world.
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