#1  
Old 11-30-2014, 09:15 PM
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YoungRemy YoungRemy is offline
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Default Re: The Vault Index

AIFST=TT5B 04

Gala=Mix Up 07



Long Burn The Fire. Rest In Peace Adam.

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  #2  
Old 12-01-2014, 09:13 AM
Sir SkratchaLot Sir SkratchaLot is offline
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Arrow Re: The Vault Index

Desperado studio version.
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  #3  
Old 12-01-2014, 05:05 PM
coreyisking711 coreyisking711 is offline
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Default Re: The Vault Index

Quote:
Originally Posted by YoungRemy View Post
AIFST=TT5B 04

Gala=Mix Up 07

you're absolutely right. i wrote this after a long day of work and confused "the gala tour" with "the pageant tour"
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  #4  
Old 12-01-2014, 05:33 PM
cj hood cj hood is offline
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Default Re: The Vault Index

Country Club show



thank you Adam.

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  #5  
Old 12-02-2014, 05:13 AM
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camo camo is offline
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Default Re: The Vault Index

• The extra album worth of material they made in the HN era.
• Anything the Nasal Tone/Poets/Crew
• Anything were samples couldn't clear



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Originally Posted by some korean pirate View Post
13 multilateral atomic arms reduction.

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  #6  
Old 12-02-2014, 08:11 AM
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Brass Monk Brass Monk is offline
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Default Re: The Vault Index

I gotta be honest, I don't think HSCP1 exists in any real sense, I don't think the nasal poets ever really existed and I don't think a TMR music video exists.
I'd love to be wrong, but probably not.....



"BEASTIE BOYS Will Forever Be 1 of the BIGGEST inspirations 4 me in music & life."
-Busta Rhymes

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Old 12-02-2014, 08:27 AM
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Default Re: The Vault Index

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Originally Posted by Brass Monk View Post
I gotta be honest, I don't think HSCP1 exists in any real sense, I don't think the nasal poets ever really existed and I don't think a TMR music video exists.
I'd love to be wrong, but probably not.....
Well in truth the vault has never existed - it was just a proposed project from the pre TT5B, post HN era.

A lot of these notions have a fair bit of clout behind them, the majority have been mentioned by the boys themselves so I think we'd all hope you're wrong too.



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13 multilateral atomic arms reduction.

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Old 12-02-2014, 09:46 AM
Sir SkratchaLot Sir SkratchaLot is offline
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Arrow Re: The Vault Index

What I would REALLY love to see is official releases of instrumentals and acapellas from all of the albums. They could either do them in LP format or, if they wanted to get super fancy and DJ friendly, they could do 12" single pressings with one song on each side (vocal, inst, acapalla).
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  #9  
Old 12-02-2014, 11:35 AM
Micodin Micodin is offline
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Default Re: The Vault Index

Quote:
Originally Posted by Brass Monk View Post
I gotta be honest, I don't think HSCP1 exists in any real sense

I'd love to be wrong, but probably not.....
You're wrong.

*Tracklisting*
1. Tadlock’s Glasses
2. B-Boys In The Cut
3. Make Some Noise
4. Nonstop Disco Powerpack
5. OK
6. Too Many Rappers (featuring NAS)
7. Say It
8. The Bill Harper Collection
9. Don’t Play No Game That I Can’t Win (featuring Santigold)
10. Long Burn The Fire
11. Bundt Cake
12. Funky Donkey
13. Lee Majors Come Again
14. Multilateral Nuclear Disarmament
15. Pop Your Balloon
16. Crazy Ass Shit
17. Here’s A Little Something For Ya

*Review*
1. Tadlock’s Glasses

The joking original mooted title of the album, Ad-Rock, Mike D and MCA get rolling with a curious nod to the driver of Elvis’s back-up singers. Distorted electronic squiggles dominate a slightly warped atmosphere that reprises yells of “And you don’t stop...” like ‘Sure Shot’ was recorded 15 years later on a stack of good drugs. Promising start...

2. B-Boys In The Cut

Banging bass and the throwback feel of To The 5 Boroughs are tempered by what appears to be the gruff tones of MCA, lyrics buried beneath an oddly satisfying muddy treatment as pitch-shifting vocals dip between layers of fuzziness. Ch-check it out.

3. Make Some Noise

Our EMI iPod (presented only after a high security full-body metal detector search for potential recording devices) reads ‘Make Some Noise If You’re With Me’, but whatever the title this is a definite future crowd hyper, almost Daft Punk-esque bass-line overlaid with thwacking dusty drums.

4. Nonstop Disco Powerpack

Lyricism more entangled than vines in a rainforest, a funky break and whistles rattle around as the mic is passed with a frequency. And unless there’s some serious yoghurting occurring on DiS’s part, Ad-Rock also appears to make the album’s strangest statement, proclaiming “See one last profiterole and make my play”. Finger-licking good.

5. OK

A playful vaguely squelchy electro intro is the signal for the Boys to rewind the clock, rhyming as if they were 20 years old again. Throw a vocoder breakdown into the mix, you say? Sure, why not...

6. Too Many Rappers (featuring Nas)

The indisputable high point of the record, thumping percussion accompanies the central sentiment: “Too many rappers/Not enough emcees”, although the ever-goofy threesome claim we misheard chat about “crack rappers”; the line in question is, they assure us, directed at “crab rappers”. There’s no disputing the proudly spat declaration “Grandpa been rapping since 1983”, though, and when Nas swaggers in with a seamless, highly conscious verse, Mix Master Mike might begin to look over his shoulder nervously as his fourth Beastie Boy mantle comes under threat. The most straight up hip-hop tune in recent BB history and all the better for it.

7. Say It

A menacing bass-line and more subtly overdriven mic effects give that in-the-booth feel, yet to the point where picking out individual lines beneath the hulking whole is tricky. Ends with a circus music-style mini-skit.

8. The Bill Harper Collection

The album’s first proper skit, purportedly an in-joke concerning the group’s business manager’s record collection. “Hi Adam, it’s Bill. Thanks” is the solitary vocal sample in 23 seconds of silliness. Dude sounds like a riot. To the extent we suspect he may own Creedence Clearwater Revival records.

9. Don’t Play No Game That I Can’t Win (featuring Santigold)

The reggae-tinged backdrop, faintly whiffing of an off-cut from former Beasties collaborator Lee ‘Scratch’ Perry, betrays that Santigold very much takes the lead here. Sadly, there’s little chemistry, the ideas seemingly evaporate about midway through and the whole debacle is closer to Santigold featuring the Beastie Boys. Disappointing. Still, MCA, we think, restores a little cred, complaining about “clams with no tartar sauce”. Cream cakes and clams = ghetto, we think you’ll agree.

10. Long Burn The Fire

Ad-Rock is in combative mood here, boldly offering “I check my rear view/Emcees ain’t getting closer”, while a superhero-ish element imagines biting through haters with sharks teeth, clawing them with tiger’s claws and shooting poison out of their eyes. Rage Against The Machine-worthy bottom end and rampant organ seal the deal.

11. Bundt Cake

Another skit, this time a mere 21 seconds over a crisp drum break with snatches of cyber vocals.

12. Funky Donkey

“Put this on a zip disc/Send it to your lawyer” is an opening threat that doesn’t go unnoticed. The rhymes are almost throwaway over a beat that could almost sample Adamski, if only we knew the Beasties would never rewire something so simple to decipher.

13. Lee Majors Come Again

Already out there in the scary wide world as a sly snippet giveaway with select copies of the recent Check Your Head re-issue (ditto an a cappella of ‘B-Boys In The Cut’, fact fans), this is a hardcore punk days nod with meaty guitar chug. Ad-Rock, it seems, declares “I seen your grandpa in apple bottom jeans” and successfully manages to make it a dis, an achievement in itself, frankly...

14. Multilateral Nuclear Disarmament

For such politically active musicians it always seems frustrating that the Beastie Boys have rarely strayed into global social issues on record; nothing really changes here, beyond the title, although the vocals are once again a touch buried to be sure, something close to liquid g-funk and disconnected phased-up beats three-quarters of the way to an Usher hit obliterated by robot voice effects of prime ‘Intergalactic’ intent. This is either Kraftwerk scored by Dr Dre or our headphones are a bit shonky.

15. Pop Your Balloon

Continuing the pop-brushed theme, a quite dramatic sweeping intro doesn’t, as it really easily could, push into a Britney Spears moan-fest, instead pivoting off an insistent break and plenty of nasal Ad-Rock delivery.

16. Crazy Ass Shit

More food talk! This time “smoked salmon”. Damn, we’re hungry now. A sampled child’s voice is the key to the not-so-safe-for-kids ‘Crazy Ass Shit’ though, “You can’t stop/You’ve got to keep on” becoming a youthful mantra.

17. Here’s A Little Something For Ya

Initial bass burps raise eyebrows – are the Beasties about to follow Snoop Dogg into dipping tentative toes into dubstep? Once that opening has passed, however, it’s more familiar ground: playful rhymes, a terrace refrain, an organ breakdown, followed by what appears to be an untitled secret outro, proudly shouting out New York City with hands on hearts.

Last edited by Micodin : 12-02-2014 at 11:48 AM.
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  #10  
Old 12-02-2014, 12:59 PM
dave790 dave790 is offline
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Default Re: The Vault Index

I don't understand how people can still be confused about the unreleased potential of the HSC era. There's the obvious original version of the album, i.e. the one that existed before it's re-mixing / mastering and slight alteration of the track-listing (and before that magnificent original cover art was changed).

And then there are the songs which were intended for release as a separate album (which would have originally been part 2), which Mike speculated on releasing in a different (or novel) manner.

Even if the latter does not exist in the cohesive form of an actual album (i.e. sequenced appropriately, mixed properly etc), I definitely believe an albums worth of extra material exists from the HSC sessions, and was originally planned to follow up what would have been the 2009 release of Hot Sauce.

That aside I've always thought most the "vault" speculation is just that: speculation. The off-cuts of Hello Nasty on the remastered edition's bonus disc are hardly a treasure trove of material. The CYH/IC era would mostly involve endless jams and experimentation which never made the records for a reason, while material worth salvaging worked it's way onto b-sides.

I remember the studio list of song titles which appeared in the run up to TT5B (e.g. the Fila one?), and i know some of then ended up as genuine songs, but that's not to say the rest were properly recorded or evolved beyond a loose-demo stage.

Any dusty gems from the 80's worth salvaging?

Instead of songs or materials which either never fitted a particular album or were simply not good enough, I'd much rather see "lost" footage recorded over the years, from the potential pro-shot Gala gig to the obvious Holy Grail - further footage from that short Paul's Boutique club show where the Shadrach video was shot.



Quote:
DIAMOND: He wishes he could be here right now. So do we.

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  #11  
Old 12-04-2014, 08:18 AM
Brass Monk's Avatar
Brass Monk Brass Monk is offline
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Default Re: The Vault Index

Quote:
Originally Posted by Micodin View Post
You're wrong.

*Tracklisting*
1. Tadlock’s Glasses
2. B-Boys In The Cut
3. Make Some Noise
4. Nonstop Disco Powerpack
5. OK
6. Too Many Rappers (featuring NAS)
7. Say It
8. The Bill Harper Collection
9. Don’t Play No Game That I Can’t Win (featuring Santigold)
10. Long Burn The Fire
11. Bundt Cake
12. Funky Donkey
13. Lee Majors Come Again
14. Multilateral Nuclear Disarmament
15. Pop Your Balloon
16. Crazy Ass Shit
17. Here’s A Little Something For Ya
I think you pretty much proved my point there. I don't think the BBoys previously stated idea of a 2 part album involved releasing the same material twice. Maybe it would be better for you to say "Hot Sauce Committee Part 2 Version 1 exists"



"BEASTIE BOYS Will Forever Be 1 of the BIGGEST inspirations 4 me in music & life."
-Busta Rhymes


Last edited by Brass Monk : 12-04-2014 at 08:20 AM.
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